FightersEye

Scouting Report: Marlon Vera

Opponent
Marlon Vera
Level
UFC
Report date
unknown
Original
download (md)
Marlon Vera headshot

Marlon “Chito” Vera has been reviewed three separate times, so this report merges all three looks at him. That depth is its strength: the patterns below were not just seen across fights, several were confirmed across separate reviews years apart.

ReviewFights watched
Firstvs Silva de Andrade, vs Wuliji Buren, vs Lineker, vs Guangyou Ning, vs Grant
Secondvs Ewell, vs Song Yadong
Third (focused follow-up)vs Cruz, vs Sandhagen, vs Munhoz

The third review was a focused look at two tendencies requested by the corner: dropping his jab, and shelling up.

Stance & Movement

Switches stances frequently. When throwing his teep with the rear leg from orthodox, he will bring the leg down and stay in southpaw. He also switches while walking down opponents, changing angles.

Stance switch mid-sequence
Stance switch mid-sequence
Switching stances while walking his opponent down
Switching stances while walking his opponent down

He often favors hands high and open, gauging distance and protecting his head, but not protecting his body.

High open hands, head covered, body exposed
High open hands, head covered, body exposed
Second look at the high, open guard
Second look at the high, open guard

Moving backwards is where he looks least comfortable: he tends to retreat in a straight line. The first review caught him eating a left hook, straight right while being walked backwards.

Left hook, straight right as he retreats straight back
Left hook, straight right as he retreats straight back
The same sequence from a different angle
The same sequence from a different angle

When he is overwhelmed, he tends to escape to the left.

His escape route under pressure
His escape route under pressure

Lead hand habits

His lead hand is the most consistent read on him: it reaches, it paws, and after the jab it drops. Every one of the three reviews found it doing something exploitable. It reminds me slightly of Petr Yan, but more chaotic.

Reaching parries. He reaches when he parries instead of keeping the motion tight. Seen in the first review and still there two reviews later.

Reaching parry, first review
Reaching parry, first review
Reaching parry, second example
Reaching parry, second example
Reaching parry twice in a row
Reaching parry twice in a row
Still reaching on the parry, a full review later
Still reaching on the parry, a full review later
Another reaching parry from the second review
Another reaching parry from the second review

Lead hand pawing. He keeps his lead hand out a lot, reaching for the opponent’s lead hand.

Pawing at the opponent's lead hand
Pawing at the opponent's lead hand

Dropping his jab. He routinely drops the jab down after throwing it rather than bringing it back to his face. The focused review found it in all three fights examined (two clips are annotated to point it out).

Jab thrown, hand comes back low
Jab thrown, hand comes back low
Annotated: the jab drops instead of returning to guard
Annotated: the jab drops instead of returning to guard
The drop again in open space
The drop again in open space
Annotated: same habit, different fight
Annotated: same habit, different fight
Fifth example of the dropped jab
Fifth example of the dropped jab
Sixth example
Sixth example
Seventh example
Seventh example

Shelling up

When his opponent throws multiple strikes or a flurry, Chito shells up his guard and reacts in one of two ways: he either crashes forward into the attack, jamming it with his elbows and forearms, or shells and moves backwards. The jamming version first appeared in the Song Yadong fight; the second review noted it looked new at the time.

Shell and crash forward, jamming the attack
Shell and crash forward, jamming the attack
Jamming with elbows and forearms
Jamming with elbows and forearms
Third look at the forward jam
Third look at the forward jam
Shelling under a flurry and retreating
Shelling under a flurry and retreating
Shell and retreat, second example
Shell and retreat, second example
Shell and retreat, third example
Shell and retreat, third example
Shell and retreat, fourth example
Shell and retreat, fourth example

High guard, open body

The high, open guard shown in Stance & Movement has a cost: he favors blocking high and leaves his body open. The first review caught a spinning back kick finding exactly that opening.

A spinning back kick finds the open body
A spinning back kick finds the open body

Front teep

He really likes his front teep and throws it a lot. It also feeds his stance switching: the rear-leg teep from orthodox often lands him in southpaw, where he simply stays.

The front teep
The front teep
Teep again, thrown freely
Teep again, thrown freely

Other notes

Single-review observations without clips, kept for whatever they are worth:

Notes and limitations